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But when director Seán Ó Cualáin began digging into the subject for a documentary called Men at Lunch, he found some of the answers people had been looking for. We know they were real construction workers, but records were spotty at the time and there was only anecdotal evidence of their identities. Much like the man behind the lens, the 11 workers in front of the camera have been a mystery to historians as well.
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A DOCUMENTARY HELPED ESTABLISH TWO OF THE MEN’S IDENTITIES. So there were lots of good copies around to work with.” 6. You don’t have to worry about the long-term future of the photo, though, as Johnston points out: “Prior to its being broken they had made a number of high-quality prints of the image from which copy negatives were made, to make printing it easier.
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At some point, probably after Corbis acquired it, the glass negative was dropped, leaving it cracked and shattered. That being said, the original Lunch Atop a Skyscraper negative has seen better days. Part of the climate controlling comes from an underground lake that is used to pump 50-degree water throughout the mine to maintain a steady temperature. The entire mine is temperature controlled to help maintain the aging documents, as a team works to digitally and physically preserve the millions of pieces inside the vaults. Called Iron Mountain, the secure and confidential facility spans 1.8 million square feet, where priceless artwork, photos, film negatives, pieces of music, and government documents from all around the world are stored. To keep the original glass plate negative of the photo secured, it was placed in a massive underground vault just outside of Pittsburgh in Butler County, Pennsylvania. THE ORIGINAL NEGATIVE IS STORED IN A CAVE IN PENNSYLVANIA. The identity of the photographer for this lesser-known picture is unknown as well. That photo was owned by the International News Photos archive, which was a competitor of Acme Newspictures archive, the original owner of Lunch Atop a Skyscraper. In addition to photos featuring different poses for the 11 men on the beam, there’s also a rarely seen picture of four of the men stretched out across it, taking a well-deserved nap. There was more than just this single shot taken that day. THERE WERE MORE DEATH-DEFYING PHOTOS TAKEN THAT DAY. Taking place during the Depression, when 15 million people were looking for work, the image of an expanding city and the workforce behind it was a rare bright spot for the public to hang on to. “It seems pretty clear they were real workers, but the event was organised with a number of photographers." "The image was a publicity effort by the Rockefeller Center,” Johnston told the UK's Independent. No, 11 men eating lunch on a beam hanging 69 floors in the air was not an everyday sight, and the whole thing came together to publicize the construction of Rockefeller Center. IT WAS PURELY FOR PUBLICITY.Īlthough the image was meant to give a casual look into what a worker’s life was like high above the city streets, it was purely for publicity purposes.
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But other photographers were up there that day, too, including William Leftwich and Thomas Kelley, and so the Rockefeller archive and Corbis removed any official credit and attributed the photo to “unknown.”Īccording to Ken Johnston, who was the Historical Director of Photography at Corbis Images, until the 1950s it wasn’t out of the norm for photographers to not receive credit for their photos.
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Ebbets, who actually received credit for it for a while. One name that keeps coming up is Charles C. The image of these workers, dangling high above Midtown, may be etched in our memories (and on apartment walls, T-shirts, and refrigerator magnets) forever, but no one really knows who was responsible for taking the picture. THERE ARE STILL DOUBTS ABOUT THE PHOTOGRAPHER’S IDENTITY.
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Here are 10 fascinating facts about Lunch Atop a Skyscraper. It’s been over eight decades since the image was printed in the New York Herald-Tribune on October 2, 1932, and it's been one of the most well-recognized pieces of photography ever since. It showed the world that New York City-and America as a whole-was still building, still progressing, and, most importantly, still working. The sight of 11 Rockefeller Center construction workers casually eating lunch across a beam hanging 850 feet in the air was a hopeful look at life in the '30s. But Lunch Atop a Skyscraper was different. Images of breadlines, derelict housing, and desperate mothers informed the cultural consciousness by bringing the Depression to newsstands across the United States. The Great Depression inspired some of the most memorable photographs of the 20th century by perfectly capturing the heartache and suffering of a nation out of work.